Valhalla reverb mac os big sur

ValhallaDSP — ValhallaDelay 1.0.6.0-WIN, 1.0.6.2-OSX VST, AAX, AU x86 x64 — дилэй

ValhallaDSP — ValhallaDelay 1.0.6.0-WIN, 1.0.6.2-OSX VST, AAX, AU x86 x64

Дата Выпуска: 05.2019
Версия: 1.0.6.0 WIN 1.0.6.2 OSX
Разработчик: ValhallaDSP
Сайт разработчика: valhalladsp.com/shop/delay/valhalladelay/
Формат: VST, AAX* (*MOD)
Разрядность: 32bit, 64bit
Таблэтка: присутствует (R2R)
Системные требования: Windows 7/8/10
Plugin formats: 32-bit VST2.4, 64-bit VST2.4/AAX*
OS 10.8/10.9/10.10/10.11, macOS 10.12/10.13/10.14
Plugin Formats: 32/64-bit VST2.4/AU
Размер: 20 MB

ValhallaDelay — классическая и современная система задержки и эхо.

Ленточная задержка, BBD, цифровая старой школы, смещение высоты тона — все в одном плагине. ValhallaDelay предлагает классику и расширяет ее до новых измерений с уникальными стилями задержки Ratio и Quad, режимом Ghost (который добавляет сдвиг частоты) и мощной диффузионной секцией, которая может создавать что угодно от размытых эхо-сигналов до эфирных ревербераторов.

ValhallaDelay имеет семь уникальных режимов задержки (Tape, HiFi, BBD, Digital, Ghost, Pitch, RevPitch) и пять стилей задержки (Single, Dual, Ratio, PingPong, Quad). Комбинируя режимы и стили, вы можете получить классические ленточные эхо-сигналы, задержки в стиле чипов Bucket Brigade, цифровые задержки старой школы, удвоители высоты тона, реверсированные задержки, неуловимый хорус. список можно продолжать и продолжать.

Мы потратили кучу времени на моделирование винтажных аппаратных задержек, но на этом мы не остановились.
Много мыслей было уделено элементам управления ValhallaDelay. Графический интерфейс имеет все необходимые элементы управления для такой универсальной задержки, оставляя при этом только нужные элементы управления, поэтому интерфейс является быстрым и простым в использовании. Все элементы управления находятся на одном экране — без скрытых вкладок или меню. Цель состоит в том, чтобы создать инструмент, который вы сможете быстро освоить, чтобы получить нужные звуки и выполнить свою работу!

ValhallaDelay has seven different delay Modes:

• Tape: Modeled after vintage tape echoes, with all the features and quirks that were loved in the old hardware.
• HiFi: A higher fidelity tape echo, where the ability to precisely sculpt the sound is in your hands.
• BBD: A dark, low fidelity bucket brigade delay model.
• Digital: A cleaner, higher bandwidth delay, with the ability to dial in digital dirt.
• Ghost: A Valhalla DSP original! Combines the tape model from the HiFi mode with frequency shifting and a unique diffusion algorithm, for sounds that will split your skull in two.
• Pitch: A digital delay with added pitch shifting. Perfect for micro-shifting vocals, adding harmonies to synths, creating vast shimmering soundscapes, or shrieking sounds that forever spiral upwards or downwards.
• RevPitch: Reverse pitch shifting! Everything that goes in, comes out reversed.

Five tape Styles, for controlling the number of delay voices:

• Single: Same delay length & modulation for left and right channels.
• Dual: Independent delay lengths for left and right channels.
• Ratio: The right channel is set to a ratio of the left channel, and the feedback of left and right channels is mixed. Perfect for sounds that slowly transition from delay to reverb-esque.
• PingPong: A delay that bounces between the left and right channels, with the ability to set the left and right delays independently.
• Quad: Models the multi-head tape echoes of the 1960s and 1970s, with up to 4 delay taps on tap.

• Delay lengths ranging from 0 msec to 20 seconds. Dial in choruses and flangers, slapback echoes, longer delays, or long Frippertronic loops.
• Sync the delay to the beat, with straight/dotted/triplet options. Or, control the length via milliseconds.
• Age control, for adjusting the artifacts of the delay mode. Clean and shiny, old and dusty, or anywhere in between.
• Powerful Diffusion section, that can be used to smooth out the attacks of delays, or can be an amazingly smooth and lush reverb in its own right. Up to 20 seconds of diffusion time possible!
• Era control, for selecting between different variants of the delay modes.

Источник

Valhalla VintageVerb

Listen: Valhalla DSP has come unstuck in time.

ValhallaVintageVerb is a postmodern reverb plugin, inspired by the classic hardware digital reverbs of the 1970s and 1980s.

Updated to version 2.1.2 (Windows) and 2.1.5 (Mac)! VST3, signed & notarized Mac installers, Intel/M1 native Mac builds, signed Windows installers.

Plugin UI

Modes

Overview

Concert Hall

Bright Hall

Plate

Chamber

Random Space

Chorus Space

Ambience

Sanctuary

Dirty Hall

Dirty Plate

Smooth Plate

Smooth Room

Smooth Random

Nonlin

Chaotic Hall

Chaotic Chamber

Chaotic Neutral (new in 2.0.2)

The MODE control in Valhalla VintageVerb is a super powerful, high-level control that allows you to switch between 18 different reverb algorithms.

Based on the hall algorithms of the late 1970s and early 1980s. Huge spatial image, echo density that can be adjusted from very sparse to very dense, and lush chorusing modulation. Fairly «clean» tone, without converter coloration.

Similar to the Concert Hall algorithm, but with a brighter initial sound, and deeper and lusher modulation. Fairly «clean» tone, without converter coloration.

Inspired by early 1980s plate algorithms. Highly diffuse, bright initial sound, high echo density, lush chorused modulation. Fairly «clean» tone, without converter coloration.

Emulates the sound of early 1980s room algorithms. Medium diffusion/early echo density, somewhat darker sound, chorused modulation. Fairly «clean» tone, without converter coloration.

A transparent and dense algorithm. Highly diffuse, high echo density, less coloration than Plate/Room algorithms, chorused modulation. Fairly «clean» tone, without converter coloration.

This generates DEEP and WIDE reverbs, with a slow attack, and more diffusion than the late 1980s algorithms that inspired it. The modulation uses internal delay randomization, to reduce metallic artifacts without the pitch change that can occur in the algorithms with chorused modulation.

DEEP and WIDE reverbs, with a slow attack, and more diffusion than the late 1980s algorithms that inspired it. Similar to Random Space, but with the delay randomization replaced with lush chorused modulation.

Combines time varying randomized early reflections with a full-featured reverb tail, with the balance between early and late reverb controlled by the Attack knob. Useful for adding “air” to drums, vocals, and any place where a reverb should be felt but not heard.

Inspired by a classic German digital reverberator from the 1970s. Discrete early reflections, a dense late reverb that rapidly builds in echo density, lush detuned modulation. Sanctuary incorporates the bit reduction and floating-point gain control used in the A/D and D/A convertors of the early digital hardware.

A fresh look at the Concert Hall algorithm, with the goal being to emulate the strange fixed point and convertor artifacts of early 1980s reverb hardware. Lusher and denser than the Concert Hall algorithm, with loads of warmth and grit on tap, for a roughly hewn beauty. Plug in your analog synth and send yourself into retro sci-fi heaven.

All the warm and gritty artifacts of Dirty Hall, applied to an old-school digital plate algorithm. High echo density, wide stereo image, and just the right amount of metallic sheen. Drums come alive when sent through Dirty Plate.

The complete opposite of Dirty Plate. Smooth decay at all settings, from short to near-eternal. Lush chorusing, with none of the metal found in Dirty Plate. The most transparent and naturalistic reverb in ValhallaVintageVerb. Crank up the Size parameter, and float off into space!

A smooth and transparent room reverb, in the Smooth Plate style. Useful for emulating the Room/Hall algorithms of late 1980s hardware, as well as getting clear reverberation with low amounts of coloration.

A random room/hall algorithm, with transparent decays that can be adjusted from tiny to huge. Randomized delay modulation, similar to Random Space, but with a much tighter initial attack and smoother decay. A good “jack of all trades” reverb algorithm.

Gated, reverse, and nonlinear reverbs are all on tap here. Use Size to control the duration of the reverb, and Attack to smoothly interpolate between a truncated reverb, a “flat” gated decay, and huge reverse reverbs. Lush chorusing modulation on tap, for your shoegazing needs.

A chaotic take on the Concert Hall algorithm, with modulation and saturation artifacts inspired by classic tape echoes. Lush and warm, with subtle wow and flutter chorusing that adds depth without making your reverb seasick.

Smooth and chaotic at the same time. A relatively “dimensionless” reverb algorithm, that adds depth to your sound. Wow and flutter modulation, subtle tape saturation. Use this algorithm on pretty much any input, and it will sound good.

Combines chaotic modulation with a fairly “colorless” algorithm architecture, for a reverb that sounds like the input – just with reverb!

Colors

Overview

1970s

1980s

The COLOR control dials in the tone color and sonic artifacts of each specific reverb era. The 1970s color model is dark and noisy with the potential for strange and random artifacts. The 1980s is still funky, but with a brighter sound. NOW is too digital, clean, and colorless. As you switch through the eras, the colors of your GUI change, too.

Replicates the reduced bandwidth of the earliest digital reverberators (10 kHz maximum output frequency). Downsampled internally to reproduce the artifacts of running at a lower sampling rate. The modulation is dark and noisy and can produce strange and random sidebands with sustained notes. This is intentional.

Full bandwidth/sampling rate, for a brighter sound than the 1970s. The modulation is still dark and noisy but will produce different artifacts than the 1970s mode as it is running at the full sampling rate.

Full bandwidth/sampling rate. The modulation is clean and colorless, versus the funky artifacts of the 1970s/1980s modes.

Try the Demo

The demo versions of ValhallaVintageVerb are identical to the full versions, except that the delay fades out and back in every 45 seconds.

Overview

Sean Costello and Don Gunn break down the various functions and settings in Valhalla VintageVerb.

Hear it in action

Related Posts

Reverb 101: Size

Effect-O-Pedia: Reverb Types

Effect-O-Pedia: Reverb Chambers

See what people are saying

“An impressive level of sonic flexibility without sacrificing simplicity and ease of use”

“The best $50 I’ve ever spent in my musical life.”

“This is always the first reverb I use in a project. For just about everything.”

“. a thoroughly modern summation of all the best bits of algorithmic reverb past and present.”

Specifications

Current Version: 2.1.2

• 2.0.2
• Fresh builds, ready for Big Sur
• Signed & notarized installers for Mac
• Signed installers for Windows
• 64-bits only (32/64-bit legacy installers available in user accounts)

• 1.7.1
• Chaotic Neutral. This is a new reverb mode, with smooth chaotic modulation, and a “neutral” tonality that makes it perfect for almost any reverb application!
• VST3 (in addition to VST 2.4, AU, AAX)
• Fixed the Ambience algorithm, to avoid “echoes” that a few users reported on occasion.

ValhallaDSP plugins are self documenting. Just roll over the controls to read the tool tip on the bottom left of the plugin.

If you have questions, please head to Support.

• Windows: Windows 7/8/10
• Plugin formats: 64-bit VST2.4/VST3/AAX

• Mac: OS 10.8/10.9/10.10/10.11, macOS 10.12/10.13/10.14/10.15, macOS 11 Big Sur
• Plugin Formats: 64-bit VST2.4/VST3/AAX/AU

Источник

Valhalla Updates: VST3, Big Sur, 64-bits

Share

Share

We have officially updated all of the Valhalla plugins for autumn 2020! The changes across the plugin line:

• VST3 for Mac (in addition to VST 2.4, AAX, Audio Units)
• VST3 for Windows (in addition to VST 2.4 and AAX)
• Ready for Big Sur! The updates also work on OS 10.9 through macOS 10.15, as well as 64-bit Windows 7/8/10.
• Signed and notarized installers for Macs
• Signed installers for Windows, with better default paths for VST2.4 and VST3
• 64-bit only

It turns out that Big Sur breaks compatibility with some APIs that the older Valhalla plugin builds were using. The current plugins have been built with the latest Juce APIs, the latest VST3 SDK, and the latest AAX SDK, so these should work for Macs running OS 10.8 through Big Sur.

So, if you are running Big Sur, be sure to download the latest plugin installers from your user account! These updates aren’t just for Big Sur; they should run on OS 10.9 through macOS 10.15 as well.

The Big Sur updates are currently for Intel Macs only. These will run on the new Apple Silicon Macs, running Rosetta 2. Our current plan is to create native Apple Silicon ports in Q1 2021.

The latest Valhalla plugin updates are 64-bit only. We’ve always said that we’ll keep 32-bit plugins building as long as we can, and, well, we’ve reached the end of the line. The modern toolkits needed to build plugins for Big Sur (and the upcoming Apple Silicon machines) make it pretty much impossible to continue to build 32-bit versions. In addition, the 32/64-bit installers can cause Cubase to get confused, which is tiresome for everyone involved. So all Valhalla plugins from here on out are going to be 64-bit only.

We’ll keep the last 32/64-bit legacy installers up for anyone who needs to keep running 32-bit versions, but would recommend that people install the latest & greatest unless they are 100% sure they need 32-bit versions. The newest installers are the ones in the top of the list for each plugin in your user account; the older installers are called “Legacy.”

Enjoy the new plugin builds, and have a safe autumn!

Источник